'WHERE ARE THE GERMANS?'

Buchman believed that he had, in the play The Forgotten Factor, a weapon which could be useful in this situation. On 13 May he put it on in the City of London at the Cripplegate Theatre, which stood unharmed amid the ruins around St Paul's Cathedral. To it came miners from several coalfields, among them four from the Doncaster area. These men convinced their colleagues to invite the play to the mining village of Carcroft, where six weeks later two thousand people connected with the industry came to see it.

One Doncaster miner wrote to Buchman, 'This play has been the main topic of conversation at our colliery this week despite the fact that it was Doncaster races on Friday and Saturday,' and added,'...miners at our colliery...agree that if the spirit of the play is put into practice, teamwork in the Doncaster mines will become the pattern for the country. Therefore if it can make tough miners feel like that, it ought to be shown to every miner in the country, both management and men.'8 Another miner and his wife wrote to thank Buchman for his visit to their home.9

The Doncaster Free Press commented, 'Somebody last week threw a pebble in the pond that is industrial England, and the ripples will reach far.'10 The very next week one of the largest pits reported that production had risen from 10,000 to 16,000 tons. The secret, apparently, was the change in a dictatorial manager, commonly called 'the pocket battleship', who had apologised to the men after seeing The Forgotten Factor. The colliery agent at Brodsworth Main, who showed Buchman around the workings for an hour, commented, 'The play raised the finer feelings of all sections.'11

Buchman felt The Forgotten Factor should be staged in London, where the Westminster Theatre, an elegant building with 600 seats, had for some time been the property of a Moral Re-Armament trust. It had been bought, as a living memorial to the men and women of Moral Re- Armament who had died in war service, for £132,500. In April, while Buchman was still in America, Roland Wilson wrote to him, 'The theatre is ours and is paid for, all but a very small sum. A soldier came in yesterday from Wales. His father, a miner, had saved £200 to send his son to college. The soldier asked if it might be given to the Fund to buy the theatre. A number of servicemen have given their gratuities, and gifts have come from all kinds of people, including trades union leaders, dockers and miners.'12 Altogether 2,857 people contributed. It was to become available in October, at which point, Buchman felt, people from all sides of the coal industry should be invited.

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